Delibrate candour

I seem to be on a blogging spree these past couple of weeks. I really don’t know why, but mainly I think it’s because I’m in a good place. A happy place.
It has been brought to my attention quite often that people like to read these blogposts that include a little bit of personal involvement. So here I go again! More emotional blabber 😛

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“Orange is the word” – GFX50s – Minolta Rokkor 85mm f/1.7

I have seen myself drifting a bit from my original street-photography base over the last 6 months or so. Its not that I don’t enjoy street photography anymore. I do, but I have things happening around me that intrigues my curiosity far more. These things are mainly related to my children. They’re embracing the coming of summer with an enthusiasm and joy that is more contagious than a norovirus. So, naturally this is where I point my focus (and my cameras). They’re my everything, and seeing them develop polarised feelings, and relating to them is a true marvel.

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“1 – eye – 3” – GFX50s – Minolta Rokkor 100mm f/2.5

 

After posting some recent shots in a facebook group, a good friend reminded me of a photographer that I have actually adored for years. I have one of his books, and if you don’t know him, then you’re simply missing out! – His name is Alain Laboile and his series La Famille is among some of the most awe inspiring family shots I’ve ever seen.
What he does so well, and what I humbly try to achieve is that elusive closeness. Bringing that intimacy of delicate situations and trying to overcome the emotional barrier of the presence of a camera is so damn hard, and requires 1000x more effort from me as a photographer than any other discipline that I could ever shoot.

Four Faces of Emil – Sunday morning

Some photographers really think that gear and artificial lights and modifiers are hard to master. But they really aren’t! – Simply put, to master equipment and lighting you have to study, and you’ll eventually get there. Not that hard. Just a matter of discipline!
But what IS hard, is bringing emotion from occurring situations into the minds of the viewers. This can not be taught by reading theories of composition and lighting, manuals and intstructions. This can only be achieved by LIVING and breathing the situation.

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“Breathe” – GFX50s – Minolta Rokkor 85mm f/1.7

This is why I tend to shoot my kids so much. I can find nothing more satisfying yet challenging to do with a camera in my hands.


The wash

GFX50s – GF63mm f/2.8

(needless to say, my camera and I got soaked!)